Catering2Us
ONE BLACK WOMAN STORYTELLING LESSONS / 'NEXT DOOR' SERIES CAMPAIGN
CAUTION:
SITE UNDER CONSTRUCTION
CAUTION:
SITE UNDER CONSTRUCTION
PROMOTING LIFE STORIES
OF THE RICH
US !


"Until the Lions have their own historians,
the history of the hunt will always glorify the Hunter. "

ENTERING THE LAIR OF A SEASONED LIONESS*
,
Battle-tested, underground, self-made historian —
fiercely devoted to working-class truth.
I've Crafted My Own Unique Arsenal Of Powerful
StoryTelling Curriculum And Formats — Designed To:
.
1. Surprise
2. Challenge
3. Demystify The Process of Creating
4. Explore Strategies for Building Community & Creative Teams
5. Help You Discover The Untold Story Inside Your Own Life
This Is Me, One Black Woman....

Using What I Know To Create

to reach working-class people like me: not connected — but committed to figuring out what it means to live out your potential when no one hands you a map and your travel starts with bus tokens.
LESSONS
AN ORIGINAL SERIES
This site is also our backstage pass and blueprint table — a place for my co-conspirators and I to map strategy, stretch our knowledge, and rally the scrappy, resourceful community we need to lift my original series NEXT DOOR from ink on the page to a living world on the screen."
-- Trayce *

Dear...

Hey , last note – I turn seventy in December , and I believe there can be a new chapter in my life (and in yours as long as you're breathing). \This site’s part of that – an expansion of my creative voice and the unapologetic promotion of my own storytelling and teaching – through words, yes, but also through my picture collages and visual design. - T
Here’s a personal story about what fuels me — and this site.
;
Last September, I organized a Remembrance for my mother, Valeria Belle Anderson, in Madison, Georgia. She passed in California, shortly after turning 94. We gathered at Plainview Baptist Church — her family’s church, built on land donated by her people, the Andrews.
.
Being there felt like stepping into living mythology.
.
The county museum has a permanent Andrews Gallery. On the walls: mom's brother — my uncle Benny, the celebrated painter. Written about, my uncle Raymond, the respected writer.
But what stopped me was standing in front of my grandad George’s paintings, seeing them in-person for the first time.
.
He painted his whole life – even when living in a shack. In Madison, everyone knew that was just part of who G. was. He worked. He lived. He made pictures. No one considered his work ‘professional’ or 'art' – until his sons became famous (undoubtedly inspired by him). Now G's celebrated in the Gallery as 'The Dot Man'.
.
He created – simply because he had to. Without spotlight or promise of anything. He created because he needed to speak his language, and it made him whole. Standing before his colorful, wild expression, I knew that same current runs through me – and through other working-class people like me . We need to share what we have the urge to express -- not for money or recognition (though that would be very nice) -- but to become whole. - Trayce

NEXT DOOR
At a budding age, when nothing fits,
and she think she's the problem —
That's exactly what someone wants.
OPENING: MEET THE FAMILY

Thirteen-year-old CHARLIE — watchful, awkward, quiet, old-souled — carries the weight of parenting her eight-year-old sister, MAX, and her spirited but unstable mother, JASMINE. Then one night her mother announces she’s leaving for a temporary job far away — but as she walks out the door, it’s unclear when… or if… she’s coming back.
.

